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James & The Giant Peach

August 4, 2019 2:30 PM
James & The Giant Peach

A magical peach! An imprisoned boy! Insect friends! An incredible journey! This amazing adventure of James Henry Trotter will fulfill the fantasy of anyone who has ever dreamed of escape. Roald Dahl's story comes hilariously to life in this delightful dramatization that reveals the wickedness of some, the goodness of others, and the indecision encountered by many when they are faced with crises.

For Children's Tickets please purchase directly through Eventbrite.

Forms in Clay

July 29, 2019 12:00 AM - September 9, 2019 12:00 AM
Location: Swanson Studios at the Danville Museum of Fine Art & History
965 Main Street Danville, VA
Time: Mondays 6:00pm - 9:00pm
Cost: $95.00 for members of the museum and $105 for non museum members. Includes 25 lbs. of clay, glazes and firing.


2019 Class Schedule

Session 1: Feb 4 - March 11, 2019 

Session 2: Apirl 1 - May 6

Session 3: June 3 - July 8

Session 4: July 29 - September  9

Session 5: September 30 - November 4

Session 6: November  18 - December 23

Call or email for additional details

The Forms In Clay class is designed for beginers to advance students.  The Swanson Studio is equipped for handbuilding and wheel throwing, and utilizes a electric kiln for firing.

The beginner student will learn the 3 basic handbuiding techniques and if interested an introduction to wheel throwing.  Intermediate students and advance students have the flexibility to follow there own artistic direction.  Forms created in class range from functional vases, bowls etc. to non functional sculptural art pieces.  For more information or to sign up email or call 434-792-5355 9:00am-5:30pm 

Muses of Stone: Women Lost to Time's Embrace

June 7, 2019 12:00 AM - August 11, 2019 12:00 AM
Carson Barnes Exhibition

Born in Monterey, CA 1956, reared in Maryland with convenient proximity to the National Gallery (my mother had her BA in art history from Wellesley, ’52).  I began painting at 8, silkscreen printing in 1971, and photography in 1974, photo silkscreen in an industrial shop in LA in 1975; BA in fine arts Haverford College, 1978, printmaking and photography; went back to California in 1979, and made silkscreen prints constantly, MFA  California College of the Arts, Oakland, CA 1989, printmaking. Working from my photographs of sculptures in Photoshop, using layers much as I ever did in screen printing but more precisely.  It’s a must to do the printing myself, because it’s my job to make with all the skill I can. I use the same uncoated French paper in making these photo prints that I used in silkscreen printing, the image comes out just slightly softer, fleshier, analog, than the digital image. I moved to rural Georgia from California in 2012.  I doubt I’d have begun this contemplative work if I had remained in busy California; I see no end to it.

After photographing live models and hand pulling photosilkscreen prints for 45 years I now photograph and “bring to life” female portrait statues.

These women’s stories are legion, many heartbreaking, some are sweet.  They were allowed to show emotions forbidden to men, so are a record of how life felt then: childbirth often fatal, disease swept many away, famines and wars ever possible. I find who they were, who sculpted them, why. Several views may combine for a 2D image, even as we mentally combine views of sculpture to comprehend them. These forgotten women:  I am their medium, this is my calling. It feels as though some feminine power chose me and it’s burning me up. To remember them is to honor them; I depict them to celebrate them. I hope you can’t stop looking at them.

 They deserve remembrance.

 I work from my raw images in Photoshop on an iMac, using layers much as I ever did in screenprinting but more precisely.  It’s a must to do the printing myself, it’s my job to make with all my skill.