126 Artist & History Studio Cooperative Program
126 is a research lab that is activated for Art & History cross-disciplinary collaboration. 126 is a residence annex of the Danville Museum of Fine Arts and History that houses a Research Center; a Conference Room; an offices and four bathrooms; a bedroom and a fully stocked Kitchen. The 126 Research Building welcomes students, professional studio artists and historian scholars as well as creative researchers to operate 126 at the intersection of public art, historical research and service. Striving to strengthen stewardship of public cultural platforms and discourse, while working to bring awareness to issues of social and cultural concern, 126 offer organizational structures that support and promote cultural connections in the Danville region through advocacy, outreach, and educational programming. 126 focuses on how important it is for more people to be involved in caring for our common communities and to re-address access to the arts and history as a commons. 126 will launch its first year in January of 2020 and will initially host 12 visiting artists/scholars/writers in 2020 that would impact programming which has the potential reach 3 000 – 5 000 visitors at the DMFAH historical Sutherlin Mansion and its downtown Satellite Gallery at 536 Craghead. This Satellite Gallery location in historic downtown Danville is situated near the restored train station, the Science Museum and the Community Market as well as outdoor arena. The Sutherlin Mansion is located about 1.1 miles away in the Holbrook Historic residential area.
Virtual Tour Creator Training (January 12-16, 2020)
Google Tour for Non-profits and Local Businesses | Creating Virtual Content Using Free Resources
Elise Schaffer is a senior Arts Administration major (Class of May 2020) from Penn State University, Lehigh Valley campus in Center Valley, Pennsylvania. Elise has previously worked as an intern for the Lehigh Valley Arts Council and the Ronald K DeLong Gallery, a Project Assistant for the Spotted Lanternfly: Zones of Syncopation community arts project and as a teaching assistant for the Virtual Education Department at Penn State Lehigh Valley. Elise’s undergraduate research focuses on virtual resources for arts and cultural organizations and accessibility adaptations for arts spaces.
Writing Legacy Narratives: Capturing & Celebrating Your Story (January 25 - February 5, 2020)
Workshop for All Writers | Creating Narrative Content Using Danville Timelines & Family Legacies
Karen Williamson, born in the mid-west, raised in the suburbs of Washington DC and currently living in Caswell County, NC, is a Board Member for the Thomas Day House/Union Tavern in Milton, NC. Williamson is the historian for the Danville, Virginia Chapter of the African American Historical & Genealogical Society (AAHGS). Williamson is a strong advocate of programs/information that advances the study and tells the rich stories of African American genealogy and history; especially those stories that originate from the Caswell County, NC, and Danville, VA areas. Karen is a 1986 graduate of James Madison University with a major in Marketing and a minor in Dance Theater. Professionally, she has been a sales rep for Honeywell, Johnson & Johnson/McNeil, and PepsiCo. Avocationally, she is an award winning artist in photography and reed weaving.
Virtual Education & Community Engagement (April 5 - 30, 2020)
Virtual Interactive Educational Content | Learning & Exploration Formats for Camilla Williams
Kate McDannold is a Museum studies Graduate student with a passion for developing unique learning experiences for all audiences. Skilled in program creation, historical research, community outreach, peer tutoring, and collaborative project development in a museum setting she developed the DMFAH virtual education formats for creative engagement. Working towards an MA in Museum Studies from UNC-Greensboro. As an education Department Intern Kate developed and hosted educational programming at the Children’s Museum in Greensboro and successfully led 500 students through summer activities there. She trained and supervised a team of 12 volunteers for this.
Storytelling Through Film (May 18-27, 2020)
Creating Virtual Content in Dialogue with contents of THE MOVEMENT Civil Rights collection.
Lucia is a graduate of Chatham High School and has an associate degree from Liberty University. Josh is the owner of Lucia Video, a local video production company. He also serves as Managing Director for Smokestack Theatre Company, a non-profit theatre that serves the entire Dan River Region with live performances, classes, and more. While many of the projects he works on with Lucia Video have a focus on marketing, every project includes creative elements. Josh has a passion for creative storytelling through film and video. He will be working on a virtual tour of the Museum’s current exhibit, “The Movement: Danville’s Civil Rights” and hopes to bring this important exhibit beyond the walls of the Danville Museum of Fine Arts and History.
Writer in Residence (2020)
Val-Rae Christensen is a published author, essayist, and a content creator for OldWestEndVA.com. Her historical fiction novels, Of Moths and Butterflies, and Cry of the Peacock, have allowed her to address issues of gender and class inequality as well as trauma recovery.
In October of 2018, Val-Rae founded the Health and Peace Initiative, a community outreach endeavor to take mindfulness practices and trauma education out into the public, providing individuals with the means to self-manage stress, anxiety, depression, and the effects of adverse experiences.
As the Danville Museum of Fine Art and History’s writer in residence, and through her project “Responsibility over Guilt”, Val-Rae will offer community conversations that can lay the groundwork for healing and understanding.
Jennifer Ruchan Zhang
Curator in Residence (August 2020)
Jennifer Zhang will be working from our DMFAH 20th Century Art collection to establish a new curated exhibition detailing with the work of Harriet Fitzgerald and the New York City organization she founded called the Abingdon Square Painters. Located in New York, Jennifer Zhang will be working with the Abingdon Square Painters – located in Long Island City where Jennifer Zhang is also located – and our collections intern team, to establish the historical context of the work of Harriet Fitzgerald that we currently have in our collection.
Jennifer Zhang is a recent Masters graduate from New York University. She received her B.A in Art History and French at Wellesley College where she participated in the foreign exchange program at Aix-Marseille University in Aix-en-Provence, France. She was a summer intern in 2018 for Christie’s where she performed data analysis on commercial history and Sotherby’s activity histories. In 2017 she worked for Galerie Dumonteil editing and translating twenty-one articles for special exhibition catalogues on Gaston Suisse and Camille Roche.
Enjoy this youtube video by Jennifer, "Harriet & Friends" a 2020 interview with NYC Abingdon Square Painters, President Anthony Mavilia, and Harriet Fitzgerald Curator in Residence for the DMFAH: Runchan/Jennifer Zhang.
Artist in Residence (September 2020)
Felice McWilliams, Founder and Director of Make Danville Smile, has been known in Danville for her interactive audience engagement project using “message” rocks placed throughout the city. "Small, happy things like positive messages on a rock can change the mood in a day," she said. As a persistent agent for positive and supportive messages, Felice put her paintings skills in action on the entrance portal to the DMFAH information hub, House 126, occupied by Smokestack, Dan-River Nonprofit Networks, Lucia Video and the Museum research offices.
Felice is a native Californian, who has been an artist, singer, songwriter and musician for 40 years. She is an alumni of Middle Border Forward and was nominated for Volunteer of the Year 2019. She is a member of the Board of Directors for the Danville Art League and Rainforest U.
Artist in Residence (September 2020)
Anna Timm, who participated in the painting of the mural with Felice McWilliams at House 126, understands that age should not hold anybody back from participating in larger meaningful art projects underway in the Dan River Region. Anna says she was given a lot of freedom while growing up to explore the world of art history through books and to enjoy the process of creating artwork on her own. She is inspired by the psychedelic art of the 60s and 70s, and especially by the surreal works of M. C. Escher. She enjoys painting most of all, but is not afraid to pick up a pencil or a pen. She finds that being a young artist growing up in the age of social media makes it easier to get her art out there into the world, and it presents more opportunities to connect with her local immediate community, too. In the future, she hopes to get more involved with local projects; she is always be open to learning what it means to be an artist.
Artist in Residence (December 2020)
Exhibition Narratives - That's Pop's Money and other Tales of Invisibility
Veronica Jackson’s work is autobiographical, and stems from her position as a black woman marking space, and responds to the travails of her ancestors. She has a multidisciplinary visual-art practice based on an interpretive exhibit design, and architecture career spanning more than three decades. Jackson tells stories using quotidian objects such as felt-lined bulletin boards, clothing, hair, handmade paper, timecards, and text. Her work addresses several internal queries arising from her plight as a black woman in America: What does it mean to be invisible? How does the designation of invisibility affect her identity and sense of self?
Jackson’s background encompasses the critical examination of visual culture. As an architect and designer, she creatively solved problems related to the structural systems within virtual and built environments. As an artist, she records, interprets, and makes aware the complexities in which humans exist and affect their social surroundings. Her visual art making practice is a combination of past professional disciplines, present lived experiences, and the cache of contemporary and historic research accumulated. Jackson’s initial and ongoing project—The Burden of Invisibility—is the physical manifestation of her evolution from designer to visual artist, as well as a reaction to the world around her. This work forms the foundation of Jackson’s practice which investigates how black women see, don’t see, value, or devalue themselves in visual culture, and how these attitudes affect their sense of agency in constructing their own imagery or endeavors to mark space.
Jackson’s artwork is also grounded in the belief that studying visual culture elicits transformation. As an emerging cultural producer with a socially conscious practice, her goal is to engage audiences who may benefit from the ways visual art incites the imagination to see the world differently and eventually empowers them to creatively contribute to it.
To find out more about Veronica Jackson’s work please visit her website at: https://jacksondesigngroup.com/veronica-jackson